H.E.R
I don’t set out to make music that fits in a specific box—I follow the feeling. Throughout the day, I listen to silence, and melodies or lyrics will come to me that reflect whatever I’ve been carrying.
Making music is how I move energy. It’s how I process the past, stay present, and make sense of what I feel. Dark pop gives me the space to be moody, tender, honest, and still groove.
I don’t make it to chase a sound—I make it because I have to. It’s how I release what’s pent up inside and turn it into something that connects.
I’m an artist who loves reimagining songs you already know—flipping them into something new, something more me. I choose songs that have moved me, and then I let them move through me in a different way in the production and in the vocals.
You might hear something familiar, but not quite like you’ve heard it before. That’s the magic I chase—taking a well-loved tune and giving it a new mood, a new emotion, a new edge.
I want to be the voice in the background of your life—singing from a swanky jazz lounge, through your headphones, your car stereo, or straight into your living room on YouTube.
I sing the songs I love… in ways you haven’t yet heard.
House music moves me—literally and emotionally. It’s the steady pulse, the hypnotic rhythms, the way one beat can carry you somewhere unexpected. I’ve always been drawn to how house can be both deep and danceable, strange and soulful.
Most of my tracks begin with a spark—an idea, a feeling, a melody I catch in a voice memo. From there, it becomes a playground with my collaborators. We pass ideas back and forth, layering sounds and lyrics, shaping the energy until it hits just right. Other times, a producer brings a mix, and I listen closely for the lyrics waiting to be found. Either way, it’s a process of discovery, rhythm, and flow.
My favorite part of making music is the uncertainty and trust involved in collaboration—allowing space for other artists to shine too.
